All-Black orchestra showcases tunes that speak to the culture

North Carolina-trained conductor leads orchestra that performs with a contemporary twist.
Jason Ikeem Rodgers (center) and members of Orchestra Noir. Photo courtesy of Keisha Rodgers

Jason Ikeem Rodgers, founder and music director for Atlanta’s Orchestra Noir, has captivated audiences with his fusion of classical music and contemporary genres like hip-hop and R&B.

Before establishing the African American orchestra in 2016, the award-winning conductor worked with various orchestras across the country and abroad. But North Carolina is where he began his professional studies, earning a bachelor’s degree in piano performance and a master’s degree in orchestral conducting from the University of North Carolina School of the Arts in Winston-Salem. He received another master’s degree in orchestral conducting from the Cleveland Institute of Music.

But, Rodgers found himself in a space that was lacking diversity — it was overwhelmingly white, older and wealthy. The industry was also dealing with economic challenges. In 2012’s “The Perilous Life of Symphony Orchestras,” a Stanford University study discovered that all orchestras operate at a deficit. Not to mention, concert ticket sales weren’t covering expenses, and symphonies weren’t appealing to younger audiences.

“For the past 20 to 30 years, the symphony has been dying,” he said. “I think hip-hop and R&B within the symphony is a great way to revive an old art.”

Rodgers was heavily influenced by music while growing up in the housing projects of North Philadelphia. His mother and grandmother played piano, and his aunts and uncles were in a gospel group, so he consistently heard faith-based tunes in the house. That environment changed when he hit the streets with his friends. They spit freestyle raps on the corner and listened to R&B. Eventually, his passion for piano would shape his future.

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“I would be hanging on a corner with my friends…getting into trouble, doing crazy things and all of a sudden, I’d say, ‘alright man, I got this piano lesson I have to get to. I have to play a Beethoven sonata.’ They respected that because they respected me,” he said.

As a teen, Rodgers recycled this routine over and over again. He would go from hanging with his crew in baggy jeans and a fresh pair of Jordan sneakers to wearing a suit and accompanying his music teachers to listen to Mozart.

“It’s been really cool to get both sides. Ultimately, that’s what Orchestra Noir is. We bring that duality. Sure you’re hearing orchestral instruments and you’re getting the symphony, but you’re also getting the real grit of where hip-hop and R&B comes from,” he said. “I think that’s part of our greatest successes, being able to tell both sides of the story of being African American.”

Orchestra Noir photo courtesy of Keisha Rodgers

Rodgers and Orchestra Noir have collaborated with big names in the music industry including rap group Migos, rapper 2 Chainz and producer Bryan-Michael Cox. They will perform in front of a sold-out crowd at Charlotte’s McGlohon Theater on Sept. 20.

“As I do newer concerts, I just want people to be able to listen to orchestral instruments and have a great time…I hope people look at what we’re doing in a different light and not just think, ‘Okay, I see a violin, I see a viola, I got to sit back now and act dignified.’”

Kallan Louis is a writer and consultant for He does a lot, but never feels like he’s doing enough. His life can be described as a Venn Diagram: News media, Black culture and sports. He’s always on TV, but rarely seen.

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